It sets reasonable expectations, and exceeds them. But it’s neither overwhelmed by ambition nor ruined by too much marketing. This show has a pedigree - it has traveled from the Buffalo Bill Center of the West in Cody, Wyo. This exhibit offers an answer: They should fit themselves comfortably in between, offering high-quality wares that complement the Denver institutions. Should theaters in Lakewood and Parker compete with the cultural offerings of the big city or specialize in community events? Should art galleries in Lone Tree and Arvada go big or small? The Front Range suburbs have exploded with new cultural venues in the past decade, and they’ve searched hard for their own identity. The place is casual and uncrowded, a spacious room for a quiet afternoon with Fred and C.M. That makes the exhibit just right for its venue, the Longmont Museum and Cultural Center, itself an intimate setting and far from the downtown Denver core, where this art more often shows up. The work is small and well-chosen, impressive and endearing, and for once, the legends about these men feel real. Rather than turning the painters into heroes of their era, it renders them as regular guys, hard-working artists with lives separate from canvas and bronze. In fact, surprisingly, it’s just the opposite. ” Frederic Remington and Charles Russell” isn’t the usual larger-than-life exhibit museums love to put on when presenting Western art’s two biggest names. Digital Replica Edition Home Page Close Menu
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